The hyperactive love child of Page Six and Whatever Happened to Baby Jane? caught in a tawdry love triangle with The Fan. Even Kitty Kelly will blush.

Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard–inflected homage to Old Hollywood when Bette Davis and Joan Crawford ruled the roost; a veritable Tourette’s syndrome of rat-tat-tat  name-dropping, from the A-list to the Z-list; and a merciless send-up of Lillian Hellman’s habit of butchering the truth that will have Mary McCarthy cheering from the beyond.

Our Thelma Ritter–ish narrator is Hazie Coogan, who for decades has tended to the outsized needs of Katherine “Miss Kathie”  Kenton—veteran of multiple marriages, career comebacks, and cosmetic surgeries. But danger arrives with gentleman caller Webster Carlton Westward III, who worms his way into Miss Kathie’s heart (and boudoir). Hazie discovers that this bounder has already written a celebrity tell-all memoir foretelling Miss Kathie’s death in a forthcoming Lillian Hellman–penned musical extravaganza; as the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans—and for posterity.

Tell-All is funny, subversive, and fascinatingly clever. It’s wild, it’s wicked, it’s  bold-faced—it’s vintage Chuck.

To read an excerpt from the first two chapters of Tell-All by Chuck Palahniuk, click HERE.

Charles Michael "Chuck" Palahniuk (born February 21, 1962) is an American transgressional fiction novelist and freelance journalist. He is best known for the award-winning novel Fight Club, which was later made into a film directed by David Fincher. Palahniuk began writing fiction in his mid-thirties. By his account, he started writing while attending writer's workshops, hosted by Tom Spanbauer, which he attended to meet new friends. Initially, Palahniuk struggled to find a literary agent and went without one until after the publication of Fight Club. Palahniuk's books prior to Lullaby have distinct similarities. The characters are people who have been marginalized in one form or another by society, and who react with often self-destructive aggressiveness (a form of story that the author likes to describe as transgressive fiction). Starting with Lullaby, his novels have been satirical horror stories. When not writing fiction, Palahniuk tends to write short non-fiction works. Working as a freelance journalist in between books, he writes essays and reports on a variety of subjects; he sometimes participates in the events of these writings, which are heavy in field research. He has also written interviews with celebrities, such as Juliette Lewis and Marilyn Manson. These works appear in various magazines and newspapers, such as the Los Angeles Times and Gear magazine. Some of these writings have shown up in his book Stranger Than Fiction: True Stories. Palahniuk also includes some non-fiction factoids within his fictional works. According to the author, these are included in order to further immerse the reader in his work. The content of Palaniuk's works has earned him a reputation as a nihilist. Palahniuk however rejects this label, claiming he is a romantic, and that his works are mistakenly seen as nihilistic because they express ideas that others do not believe in. Palahniuk has won the following awards: the 1997 Pacific Northwest Booksellers Association Award (for Fight Club), the 1997 Oregon Book Award for Best Novel (for Fight Club), the 2003 Pacific Northwest Booksellers Association Award (for Lullaby). He was also nominated for the 1999 Oregon Book Award for Best Novel for Survivor and for the Bram Stoker Award for Best Novel for Lullaby in 2002 and Haunted in 2005. He lives near Vancouver, Washington.

Would you like to read this book? You can buy it on Amazon by clicking HERE. 

From the outrageously filthy and oddly innocent comedienne Sarah Silverman comes a memoir—her first book—that is at once shockingly personal, surprisingly poignant, and still pee-in-your-pants funny. If you like Sarah’s television show The Sarah Silverman Program, or memoirs such as Chelsea Handler’s Are You There Vodka? It’s Me Chelsea and Artie Lange’s Too Fat to Fish, you’ll love The Bedwetter.

 

To read an excerpt from Chapter One, click HERE. 

Sarah Kate Silverman (born December 1, 1970) is an American comedian, writer, actress, singer and musician. Although usually credited as Sarah Silverman, she is sometimes credited by her nickname, Big S. Her satirical comedy addresses social taboos and controversial topics such as racism, sexism, and religion. Silverman first gained notice as a writer and occasional performer on Saturday Night Live. She currently stars in and produces The Sarah Silverman Program, which debuted February 1, 2007, on Comedy Central. She often performs her act by playing a caricature of a Jewish-American princess, mocking bigotry and stereotypes of ethnic groups and religious denominations, by having her comic character endorsing them in an ironic fashion.

Would you like to read this book? You can buy it on Amazon by clicking HERE. 

Laura Bennett is not a soccer mom or a PTA mom or a helicopter mom—and she's certainly not mother of the year. Another breed of mother entirely, Laura is surely more Auntie Mame than June Cleaver. As a busy mother of six, Laura is on an impossible mission: raising a brood of fast-moving, messy, wild sons in the jungles of Manhattan. So what other choice does she have than to sit back, grab a martini, and let the boys be, er, boys?

In Didn't I Feed You Yesterday?, Laura gives her irreverent take on modern motherhood and proves that a strong sense of humor and an even stronger sense of self are the mother's milk of sanity. In a series of refreshingly candid and hilarious anecdotes, she unapologetically breaks every rule in the Brady Bunch playbook: She gives her kids junk food, plays favorites, and openly admits to having "a genetic predisposition to laissez-faire parenting." Children, she observes, don't need constant supervision from neurotic, perfectionist parents. Allow kids to make mistakes and entertain themselves and they'll turn out just fine—even if you do sometimes forget to pick them up from school. 

Beyond the mayhem of a life among males, Laura celebrates the glories of womanhood with a generous helping of wit and style. She gives thanks to the fashion gods for the essentials—red lipstick, Manolo Blahniks, and Lycra shapewear—but reminds us that true style comes from an inner compass that points directly at oneself. In every aspect of life, Laura gives one simple, powerful piece of advice: "Dress like you want it or stay home." 

Laura Bennett wowed viewers of Project Runway’s Season Three with her own politically incorrect brand of humor and sophisticated designs. Now a regular contributor on the Today show, she also writes a column on The Daily Beast and is working on a television adaptation of her book for FOX. Born and raised in New Orleans, Bennett received her undergraduate degree in architecture from the University of Houston and attended the graduate program in the same field at Columbia University. Laura lives in New York City with her husband and six children, fittingly in the Fashion District.

WEREWOLF SMACKDOWN puts undead PI Felix Gomez right in the middle of a supernatural battle for power, one that will wake the ghosts of Charleston and could destroy both human and undead if he’s not careful. A civil war is brewing between rival werewolf factions and Gomez will do anything he can to ensure this conflict doesn’t turn into an all out battle that will make the supernatural underworld explode. But between that, the sudden reappearance of an ex-girlfriend, and several other vampires trying to take off his head, this is one rumble even a vampire detective may not be able to handle.

To read Chapter One, click HERE.

Mario Acevedo is the bestselling author of The Nymphos of Rocky Flats, X-Rated Bloodsuckers, and The Undead Kama Sutra. A former infantry and aviation officer, engineer, and art teacher to incarcerated felons, he lives and writes in Denver, Colorado.

Abigail Von Normal, nonperky, mysterious teen queen of the San Francisco night scene and backup mistress of Tommy, the unintentional Vampire is back to lead you through the 3rd book in the San Francisco Vampire trilogy. Learn what happens to Tommy, Jody, the Vampire Flood, Chet the Enormous Cat, The Smurfette, the Animals, and all your other favorites!

Whoa. And this is a love story? Yup. 'Cept there's no whining. See, while some lovers were born to run, Jody and Tommy were born to bite. Well, reborn, that is, now that they're vampires. Good thing theirs is an undying love, since their Goth Girl Friday, Abby Normal, imprisoned them in a bronze statue. 

Abby wants to be a bloodsucking fiend, too, but right now she's really busy with other stuff, like breaking in a pair of red vinyl thigh-high Skankenstein® platform boots and wrangling her Ph.D.-candidate boyfriend, Steve (the love monkey). And then there's that vampire cat Chet, who's getting bigger and smarter—and thirstier—by the minute. Abby thought she and Steve could handle the kitty cat on their own, mais non . . . 

Before you can say "OMG! WTF?" Tommy and Jody are sprung from captivity, and join forces with Abby, Steve, the frozen-turkey-bowling Safeway crew, the Emperor of San Francisco and his trusty dogs Lazarus and Bummer, Abby's gay Goth friend Jared, and SF's finest Cavuto and Rivera to hunt big cat and save the city. And that's when the fun really begins. 

To read Chapters One and Two, click HERE.

Christopher Moore (born 1957 in Toledo, Ohio) is an American writer of absurdist fiction. He grew up in Mansfield, OH, and attended Ohio State University and Brooks Institute of Photography in Santa Barbara, CA. Moore's novels typically involve conflicted everyman characters suddenly struggling through supernatural or extraordinary circumstances. Inheriting a humanism from his love of John Steinbeck and a sense of the absurd from Kurt Vonnegut, Moore is a best-selling author with major cult status.

Milo Burke, a development officer at a third-tier university, has “not been developing”: after a run-in with a well-connected undergrad, he finds himself among the burgeoning class of the newly unemployed. Grasping after odd jobs to support his wife and child, Milo is offered one last chance by his former employer: he must reel in a potential donor—a major “ask”—who, mysteriously, has requested Milo’s involvement. But it turns out that the ask is Milo’s sinister college classmate Purdy Stuart. And the “give” won’t come cheap. Probing many themes— or, perhaps, anxieties—including work, war, sex, class, child rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, and the eroticization of chicken wire, The Ask is a burst of genius by a young American master who has already demonstrated that the truly provocative and important fictions are often the funniest ones.

To read an excerpt from Chapter One, click HERE.

SAM LIPSYTE was born in 1968. He is the author of the story collection Venus Drive (named one of the top twenty-five books of its year by the Voice Literary Supplement) and two novels: The Subject Steve and Home Land, which was a New York Times Notable Book and received the first annual Believer Book Award. Lipsyte teaches at Columbia Universitys School of The Arts and is a 2008 Guggenheim Fellow. He lives in New York.